Daily Archives: December 29, 2011

The Hunting Ground – An interview with Cliff McNish and a chance to win one of five copies for your own sleepless nights.

To celebrate the January paperback release of the excellent novel ‘The Hunting Ground’ by Cliff McNish, those lovely people at Indigo/Orion have provided Books and Writers with FIVE COPIES TO BE WON by readers of this blog.

The following is my chat with the author of this great scare-fest, and you can read my review of the book here.

After you’ve had a read of the review and the interview, please leave a comment below with your email address (using ‘AT’ instead of @ to confuse pesky spambots) and I’ll enter you in the draw to win one of the copies for your very own sleepless nights.




KBW: Firstly, I loved the book, but found it a little intense to hand to my 11 year old daughter – what age group do think this suits best?
CM: That’s a good question. Originally it was written with Elliott and Ben being 14 and 12 respectively. But the psychological darkness was so intense – Cullayn especially – that a late decision was made to up the age of the main protagonist to 16 and certainly from age 13 upwards is where I expect most readers to find a home with it.

KBW: Is Glebe House or any of the events based on anything in reality or in your own experience, or is everything in The Hunting Ground pure fiction?
CM: I guess I’ve looked around a few old properties in my time, taking in the atmosphere, and I have an interest in mazes, which is maybe where the labyrinth of the East Wing originated – but overall it is just an invented composite that suited my purpose.

KBW: How did the doll being dragged across the floor and its head bouncing along come about? – That’s an image that still stays and haunts me now.
CM: I don’t know. The doll idea – well, every creepy ghost story has to have a little dead girl and her doll she still won’t be parted from, doesn’t it? But the bumping/dragging stuff … I just wanted something unnerving you would hear and not understand for a while… ghosts stories should always be filled with those sort of things, don’t you think? Less seen, more heard…

KBW: What scares you?
CM: Real life scares me all the time. Illness. Death. Physical and mental decline. That kind of stuff. In fiction, I’m scared when an author makes me like a character and then does things that are totally unexpected but feel psychologically true to them.

KBW: Do you have a favourite ghost story in fiction? And in film? And I assume you must have seen The Woman in Black on stage?
CM: I don’t have one single favourite ghost story, although two I’ve read recently have impressed me for different reasons.
1. Strangers by Taichi Yamada – an adult Japanese ghost story that is deceptively simply written and very beautiful and cold.
2. My Brother’s Ghost by Allan Ahlbeg is as wistful and beautiful a ghost story for kids or adults you’ll ever read. Guardian short listed many years ago.

Films … mm, tricky one. No one single favourite, though the Spanish film THE ORPHANAGE was very very good.
As for The Woman in White, I saw a not-that-brilliant production many years – maybe my mood was off, but it lacked something, I thought …

KBW: Do you have a set writing place or can you write more or less anywhere? And are you committed to a writing regime/set hours etc or just when the mood takes you?
CM: I’m very workmanlike, doing plenty of hours once I have the story clearly set in my mind and know where I’m going. Until then, I’m all over the place! I tend to do it all in my study but I can write anywhere if I have to — as long as I have a computer!

KBW: What’s been the stand-out book that you’ve read in 2011?
CM: Great question. I’ve been disappointed by quite a few. Especially Justin Cronin’s THE PASSAGE, which took me a month to read! Maybe the most stay-in-your-mind good was Amanda Coe’s debut novel WHAT THEY DO IN THE DARK – a decidedly adult novel, but whose main protagonists are children.

KBW: What can we look forward to next from you?
CM: At the moment I’m going back to my first love – fantasy. I can’t reveal any more yet but it should be coming out in 2013, so watch this space…

Many thanks to Cliff for taking time out for this and, if you want to scare yourself silly with his book, then enter a comment and your email below – Good luck.



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Stolen Souls by Stuart Neville

Published by Harvill Secker (The Random House Group) on 26th January 2012.
The new book jackets for Stuart Neville’s books (a broken doll for ‘The Twelve’, a broken lightbulb for “Collusion’ and a broken mirror for this, his third novel, ‘Stolen Souls’)  describe perfectly their contents – crime that deals with broken dreams and shattered lives.

Since blazing onto the crime fiction scene in 2009 with ‘The Ghosts of Belfast/The Twelve’ and gaining high praise from all that read it, including the great James Ellroy who stated ‘It’ll knock you sideways. This guy can write’, each of his novels is widely anticipated by fans and his fellow crime writers alike.

Neville’s novels crack along without a word wrongly placed or overwritten, they are parred down, fast page burning reads with a deep characterisation throughout, particularly with his central character of detective Jack Lennon.

This time round the subject matter is that of people trafficking and deals primarily with the story of Galya, a young Lithuanian girl who is brought to Belfast to be put to work as a prostitute.  In a fight for her life, Galya has taken the life of another, a gang member, and this places her clearly in the targets of many who seek to find and kill her.  Jack Lennon is hoping for a quiet Christmas to spend some time with his daughter, but with an imploding gang war taking lives all around him and growing suspicions that a man of the cloth who has offered refuge and safety to a ‘stolen soul’ might not be as he first appears, Christmas-time seems likely to be anything but quiet.

Any novel that begs from the bedside for me to get up in the middle of the night and sit and read its last two hundred pages until finishing at 3am can, quite frankly, not be short of excellent. All thriller, at times high drama and in many places almost gothic horror in its themes and settings, bases are very much covered here and extremely well.

Three novels in and it feels like Stuart Neville is still very much the one to watch – highly recommended.


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